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Page 53
To work with the Antigone , Van Krimpen added eleven Greek letters to the handsome set of open roman capitals he had already designed for use in title lines . of Goudy's early types ) . The Garnett versions , narrowed and with the ...
To work with the Antigone , Van Krimpen added eleven Greek letters to the handsome set of open roman capitals he had already designed for use in title lines . of Goudy's early types ) . The Garnett versions , narrowed and with the ...
Page 54
It is ironic that when , about ten years later , the Monotype Corporation decided to make their own version of the missing roman ( Van Dijck , Series 203 ) , it was Van Krimpen who , doubting now that the roman and italic in the old ...
It is ironic that when , about ten years later , the Monotype Corporation decided to make their own version of the missing roman ( Van Dijck , Series 203 ) , it was Van Krimpen who , doubting now that the roman and italic in the old ...
Page 55
3 Twenty years after the introduction of the type , Van Krimpen expressed disapproval of the exercise - not of the principle of a cancelleresca as the third companion to a roman , but of the technical basis he had devised for its design ...
3 Twenty years after the introduction of the type , Van Krimpen expressed disapproval of the exercise - not of the principle of a cancelleresca as the third companion to a roman , but of the technical basis he had devised for its design ...
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