Fine Print, Volume 7S. Kirshenbaum, 1981 |
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Page 53
... roman into a positively distinguished one . It is a pity that it was not found possible to incorporate them into the standard Lutetia fonts , especially when Monotype , by arrange- ment with Enschedé , began to produce the face in 1928 ...
... roman into a positively distinguished one . It is a pity that it was not found possible to incorporate them into the standard Lutetia fonts , especially when Monotype , by arrange- ment with Enschedé , began to produce the face in 1928 ...
Page 54
... roman ( Van Dijck , Series 203 ) , it was Van Krimpen who , doubting now that the roman and italic in the old Enschedé specimen book were by the same hand , discovered an edition of Ovid printed in 1671 in which the Enschedé italic ...
... roman ( Van Dijck , Series 203 ) , it was Van Krimpen who , doubting now that the roman and italic in the old Enschedé specimen book were by the same hand , discovered an edition of Ovid printed in 1671 in which the Enschedé italic ...
Page 55
... Roman newspaper type made under his supervision in 1931–32 . Van Krimpen began to draw the Romulus sloped roman in the autumn of 1932 , though the face was not completed until late in 1936. The width of the letters is very similar to ...
... Roman newspaper type made under his supervision in 1931–32 . Van Krimpen began to draw the Romulus sloped roman in the autumn of 1932 , though the face was not completed until late in 1936. The width of the letters is very similar to ...
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