Fine Print, Volume 7S. Kirshenbaum, 1981 |
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Page 4
... format . Rigid , restricted formats are repugnant to and avoided by most contemporary artists , and literal illustrations pinned to specific references are not only enigmatic without the ref- erences , but also invite obvious and easy ...
... format . Rigid , restricted formats are repugnant to and avoided by most contemporary artists , and literal illustrations pinned to specific references are not only enigmatic without the ref- erences , but also invite obvious and easy ...
Page 6
... format . The struggle to fit this monu- mental text into that diminutive scale dictated a thirty - six- line page with a three tercet drop for canto openings and head notes . The margination was niggardly , which made the run- ning ...
... format . The struggle to fit this monu- mental text into that diminutive scale dictated a thirty - six- line page with a three tercet drop for canto openings and head notes . The margination was niggardly , which made the run- ning ...
Page 74
... format used , nowadays , in thousands of " re- spectable " scholarly and commercial publications ( even in the classified pages of Fine Print ! ) , complete with uneven line endings and page lengths . The answer to Ruth Mortimer's ...
... format used , nowadays , in thousands of " re- spectable " scholarly and commercial publications ( even in the classified pages of Fine Print ! ) , complete with uneven line endings and page lengths . The answer to Ruth Mortimer's ...
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