Fine Print, Volume 7S. Kirshenbaum, 1981 |
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Page 4
... drawings for the edition , but Mandelbaum was reluctant . Lebrun's drawings are , as he said to me later , too dark , too influenced by the Holocaust . He wanted his translation to be accompanied by images which would be closer to ...
... drawings for the edition , but Mandelbaum was reluctant . Lebrun's drawings are , as he said to me later , too dark , too influenced by the Holocaust . He wanted his translation to be accompanied by images which would be closer to ...
Page 5
... drawings of both Baskin and Lebrun . I was already familiar with them , and did not want to refresh myself with them . Baskin was one of my teachers ( as , through veneration , was Lebrun ) ; both his and Lebrun's philosophy and style ...
... drawings of both Baskin and Lebrun . I was already familiar with them , and did not want to refresh myself with them . Baskin was one of my teachers ( as , through veneration , was Lebrun ) ; both his and Lebrun's philosophy and style ...
Page 6
... drawings , and translator's alterations . At a meeting in Los Angeles where the drawings were first presented to the editorial board , the enthusiasm of Grycz and Holwitz for the drawings was contagious , and resulted in the board's ...
... drawings , and translator's alterations . At a meeting in Los Angeles where the drawings were first presented to the editorial board , the enthusiasm of Grycz and Holwitz for the drawings was contagious , and resulted in the board's ...
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