Fine Print, Volume 7S. Kirshenbaum, 1981 |
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Page 76
... craft's origins , while at the same time failing to acknowledge the cause : the craft is difficult to describe well . Yet a third factor explains the want of significant material on marbling : secretiveness , a trait that has become ...
... craft's origins , while at the same time failing to acknowledge the cause : the craft is difficult to describe well . Yet a third factor explains the want of significant material on marbling : secretiveness , a trait that has become ...
Page 77
... craft is not abundant . It is not even known when this art , which was first cultivated in Tur- kestan , became established in Persia and Turkey . It is however , certain that it was flourishing in Persia and Turkey in the second half ...
... craft is not abundant . It is not even known when this art , which was first cultivated in Tur- kestan , became established in Persia and Turkey . It is however , certain that it was flourishing in Persia and Turkey in the second half ...
Page 78
... craft today . Rather , we hope to provide a sampler of what is possible , so that others unfamiliar with the craft may learn something of the richness of the tech- nique . And , indeed , so that cross communication might be effected ...
... craft today . Rather , we hope to provide a sampler of what is possible , so that others unfamiliar with the craft may learn something of the richness of the tech- nique . And , indeed , so that cross communication might be effected ...
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abcdefghijklmnopqrstuvwxyz alphabets American artist Barry Moser Berthold Wolpe binder binding Bodoni book arts book design Bookbinding bookmaking Calendar California calligraphy Catalogue available Center Century collection Colophon color contemporary copies craft Craig David drawings editor Enschedé etchings exhibition fibres Goudy Graphic Arts Gregynog Hand Bookbinding handmade paper handpress illustrations images issue italic John Koch Koch's Krimpen lecture letterpress letterpress printing letters Library limited edition Lutetia manuscripts marbled paper marblers Mardersteig Massachusetts materials METAFONT MONOTYPE COMPOSITION Museum November October Officina Bodoni Oldstyle original P.O. Box paper marbling papermaking photographs poems poet poetry press books printed printers Printmaking private press produced publication published pulp rags Rare Books roman Romulus Rudolf Koch San Francisco serifs sheets small press Stanley Morison style suminagashi techniques tion Tovil traditional Turkish marbling type design typeface typographic University Ward Ritchie wood engravings woodcuts word workshops wrappers writing York