Fine Print, Volume 7S. Kirshenbaum, 1981 |
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Page 15
... broadsides which was com- pletely divorced from the formal but rather static sans italics so much in vogue . The curves to the horizontals explain themselves . They add a sense of movement and a feeling of urgency to the words ...
... broadsides which was com- pletely divorced from the formal but rather static sans italics so much in vogue . The curves to the horizontals explain themselves . They add a sense of movement and a feeling of urgency to the words ...
Page 124
... broadsides in a Plexiglas case . Nicely machined , fitted , and glued , the case is a simple but inventive solution to the problem of storing and displaying loose leaves , allowing them to be intermit- tently displayed and changed . The ...
... broadsides in a Plexiglas case . Nicely machined , fitted , and glued , the case is a simple but inventive solution to the problem of storing and displaying loose leaves , allowing them to be intermit- tently displayed and changed . The ...
Page 129
... [ broadside poems ] by David Ferry , Mark Halperin , Laura Jensen , William Stafford , Joan Stone , and David Wag- goner . 1980. 48 x 16.5 cm . , 8 leaves . Six broadsides on different handmade papers each with a poem by a different poet ...
... [ broadside poems ] by David Ferry , Mark Halperin , Laura Jensen , William Stafford , Joan Stone , and David Wag- goner . 1980. 48 x 16.5 cm . , 8 leaves . Six broadsides on different handmade papers each with a poem by a different poet ...
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