Fine Print, Volume 7S. Kirshenbaum, 1981 |
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Page 51
THE TYPES OF JAN VAN KRIMPEN , PART 1 REFERENCE SHELF. ON TYPE by Walter Tracy JAN VAN KRIMPEN was one of the most distinguished fig- ures in the world of typography . His designs for books were notable exercises in symmetry and scale ...
THE TYPES OF JAN VAN KRIMPEN , PART 1 REFERENCE SHELF. ON TYPE by Walter Tracy JAN VAN KRIMPEN was one of the most distinguished fig- ures in the world of typography . His designs for books were notable exercises in symmetry and scale ...
Page 53
... Krimpen declined the offer , believing that the introduction of alterna- tive characters at that time would cause confusion . In any case , the italic remains a problem . It is not a good working companion for the roman : too narrow ...
... Krimpen declined the offer , believing that the introduction of alterna- tive characters at that time would cause confusion . In any case , the italic remains a problem . It is not a good working companion for the roman : too narrow ...
Page 101
... Krimpen had thought thoroughly about the requirements of particular kinds of printing and about the nature and purpose of type , had identified certain principles of design , and had then proceeded to the act of creation . It is no ...
... Krimpen had thought thoroughly about the requirements of particular kinds of printing and about the nature and purpose of type , had identified certain principles of design , and had then proceeded to the act of creation . It is no ...
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abcdefghijklmnopqrstuvwxyz alphabets American artist Barry Moser Berthold Wolpe binder binding Bodoni book arts book design Bookbinding bookmaking Calendar California calligraphy Catalogue available Center Century collection Colophon color contemporary copies craft Craig David drawings editor Enschedé etchings exhibition fibres Goudy Graphic Arts Gregynog Hand Bookbinding handmade paper handpress illustrations images issue italic John Koch Koch's Krimpen lecture letterpress letterpress printing letters Library limited edition Lutetia manuscripts marbled paper marblers Mardersteig Massachusetts materials METAFONT MONOTYPE COMPOSITION Museum November October Officina Bodoni Oldstyle original P.O. Box paper marbling papermaking photographs poems poet poetry press books printed printers Printmaking private press produced publication published pulp rags Rare Books roman Romulus Rudolf Koch San Francisco serifs sheets small press Stanley Morison style suminagashi techniques tion Tovil traditional Turkish marbling type design typeface typographic University Ward Ritchie wood engravings woodcuts word workshops wrappers writing York