The Films of the Eighties: A Social HistoryIn this remarkable sequel to his Films of the Seventies: A Social History, William J. Palmer examines more than three hundred films as texts that represent, revise, parody, comment upon, and generate discussion about major events, issues, and social trends of the eighties. Palmer defines the dialectic between film art and social history, taking as his theoretical model the "holograph of history" that originated from the New Historicist theories of Hayden White and Dominick LaCapra. Combining the interests and methodologies of social history and film criticism, Palmer contends that film is a socially conscious interpreter and commentator upon the issues of contemporary social history. In the eighties, such issues included the war in Vietnam, the preservation of the American farm, terrorism, nuclear holocaust, changes in Soviet-American relations, neoconservative feminism, and yuppies. Among the films Palmer examines are Platoon, The Killing Fields, The River, Out of Africa, Little Drummer Girl, Kiss of the Spiderwoman, Silkwood, The Day After, Red Dawn, Moscow on the Hudson, Troop Beverly Hills, and Fatal Attraction. Utilizing the principles of New Historicism, Palmer demonstrates that film can analyze and critique history as well as present it. |
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But second , though the farm crisis issue faded rather quickly from Hollywood's social consciousness , the way in which these three farm crisis films were presented served as a neoconservative feminist template for other women's issue ...
To prove his power of seduction , Valmont vows to seduce the most virtuous woman in the kingdom . Both the Marquise and Valmont view women as objects . For the Marquise , the women upon whom she sets Valmont are tools for her revenge ...
In the trial , it is made clear that Anna either can fulfill her desire to be a passionate sexual woman or can ... The family pattern of men mistreating women seems to be laid out for us . But Kael , who would have liked to have seen a ...
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Contents
The Vietnam War as Film Text | 16 |
The Coming Home Films | 61 |
The Terrorism Film Texts | 114 |
Copyright | |
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| Title | The Films of the Eighties: A Social History |
| Author | William J. Palmer |
| Edition | illustrated |
| Publisher | Southern Illinois University Press, 1993 |
| Original from | the University of Michigan |
| Digitized | 26 Feb 2008 |
| ISBN | 0809318377, 9780809318377 |
| Length | 335 pages |
| Export Citation | BiBTeX EndNote RefMan |