The Films of the Eighties: A Social HistoryIn this remarkable sequel to his Films of the Seventies: A Social History, William J. Palmer examines more than three hundred films as texts that represent, revise, parody, comment upon, and generate discussion about major events, issues, and social trends of the eighties. Palmer defines the dialectic between film art and social history, taking as his theoretical model the "holograph of history" that originated from the New Historicist theories of Hayden White and Dominick LaCapra. Combining the interests and methodologies of social history and film criticism, Palmer contends that film is a socially conscious interpreter and commentator upon the issues of contemporary social history. In the eighties, such issues included the war in Vietnam, the preservation of the American farm, terrorism, nuclear holocaust, changes in Soviet-American relations, neoconservative feminism, and yuppies. Among the films Palmer examines are Platoon, The Killing Fields, The River, Out of Africa, Little Drummer Girl, Kiss of the Spiderwoman, Silkwood, The Day After, Red Dawn, Moscow on the Hudson, Troop Beverly Hills, and Fatal Attraction. Utilizing the principles of New Historicism, Palmer demonstrates that film can analyze and critique history as well as present it. |
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But try to look for the good things , too . They'll be there if you look . " But for Chris Taylor in Platoon , for Joker in Full Metal Jacket , for the whole faceless platoon in Hamburger Hill and for the two utterly confused cops in ...
But try to look for the good things , too . " But in Platoon , Full Metal Jacket , Hamburger Hill , and Off Limits the characters can find no good things to balance off the nihilism and death . The only possible positive event in a ...
Doing things Alex Cutter's way is doing things right , pursuing a moral conviction all the way ( as America did not do in Vietnam ) . For Alex Cutter , there is only one way to explain America's failure in Vietnam and America's ...
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Contents
The Vietnam War as Film Text | 16 |
The Coming Home Films | 61 |
The Terrorism Film Texts | 114 |
Copyright | |
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