The Films of the Eighties: A Social HistorySouthern Illinois University Press, 1993 - 335 pages In this remarkable sequel to his Films of the Seventies: A Social History, William J. Palmer examines more than three hundred films as texts that represent, revise, parody, comment upon, and generate discussion about major events, issues, and social trends of the eighties. Palmer defines the dialectic between film art and social history, taking as his theoretical model the "holograph of history" that originated from the New Historicist theories of Hayden White and Dominick LaCapra. Combining the interests and methodologies of social history and film criticism, Palmer contends that film is a socially conscious interpreter and commentator upon the issues of contemporary social history. In the eighties, such issues included the war in Vietnam, the preservation of the American farm, terrorism, nuclear holocaust, changes in Soviet-American relations, neoconservative feminism, and yuppies. Among the films Palmer examines are Platoon, The Killing Fields, The River, Out of Africa, Little Drummer Girl, Kiss of the Spiderwoman, Silkwood, The Day After, Red Dawn, Moscow on the Hudson, Troop Beverly Hills, and Fatal Attraction. Utilizing the principles of New Historicism, Palmer demonstrates that film can analyze and critique history as well as present it. |
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... early eighties . The phase of the Vietnam vets ' vulnerability , confusion , and psychological imbalance par- tially ended and the age of the " supervet ” began . In 1981 American film stopped lamenting the plight of the Vietnam vet and ...
... early 1989 in San Diego , California , a pipe bomb blew up the car of Sharon Rogers , wife of the commanding officer of the USS Vincennes that had shot down an Iranian airliner a year earlier . Also in early 1989 proof was presented ...
... early Sixties nuclear war films ( On the Beach , Fail Safe , Dr. Strangelove , The Bedford Incident ) . Now that too is changing , " writes an anonymous editor introduc- ing a 1982 special section of American Film magazine titled " How ...
Contents
The Vietnam War as Film Text | 16 |
The Coming Home Films | 61 |
The Terrorism Film Texts | 114 |
Copyright | |
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