The Films of the Eighties: A Social History
Southern Illinois University Press, 1993 - 335 pages
In this remarkable sequel to his Films of the Seventies: A Social History, William J. Palmer examines more than three hundred films as texts that represent, revise, parody, comment upon, and generate discussion about major events, issues, and social trends of the eighties.
Palmer defines the dialectic between film art and social history, taking as his theoretical model the "holograph of history" that originated from the New Historicist theories of Hayden White and Dominick LaCapra. Combining the interests and methodologies of social history and film criticism, Palmer contends that film is a socially conscious interpreter and commentator upon the issues of contemporary social history. In the eighties, such issues included the war in Vietnam, the preservation of the American farm, terrorism, nuclear holocaust, changes in Soviet-American relations, neoconservative feminism, and yuppies.
Among the films Palmer examines are Platoon, The Killing Fields, The River, Out of Africa, Little Drummer Girl, Kiss of the Spiderwoman, Silkwood, The Day After, Red Dawn, Moscow on the Hudson, Troop Beverly Hills, and Fatal Attraction. Utilizing the principles of New Historicism, Palmer demonstrates that film can analyze and critique history as well as present it.
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The eighties in film history actually began with a British invasion . Epic inspirational films - first Chariots of Fire ( 1981 ) and then Gandhi ( 1982 )won the first two Academy Awards , while other literary films like The French ...
a 1978–79 or the equally powerful effect of The Day After ( 1983 ) , they actually participate in the making of history by motivating the mass mind of society to its own historical interpretation . But no social historian of film can ...
One of the suburb's residents , a middle - aged Vietnam Vet ( Bruce Dern ) , actually defends his lawn and driveway with automatic weapons . Mild - mannered yuppie Ray Peterson ( Tom Hanks ) only wants to spend his one - week vacation ...
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The Vietnam War as Film Text
The Coming Home Films
The Terrorism Film Texts
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