The Films of the Eighties: A Social History
Southern Illinois University Press, 1993 - 335 pages
In this remarkable sequel to his Films of the Seventies: A Social History, William J. Palmer examines more than three hundred films as texts that represent, revise, parody, comment upon, and generate discussion about major events, issues, and social trends of the eighties.
Palmer defines the dialectic between film art and social history, taking as his theoretical model the "holograph of history" that originated from the New Historicist theories of Hayden White and Dominick LaCapra. Combining the interests and methodologies of social history and film criticism, Palmer contends that film is a socially conscious interpreter and commentator upon the issues of contemporary social history. In the eighties, such issues included the war in Vietnam, the preservation of the American farm, terrorism, nuclear holocaust, changes in Soviet-American relations, neoconservative feminism, and yuppies.
Among the films Palmer examines are Platoon, The Killing Fields, The River, Out of Africa, Little Drummer Girl, Kiss of the Spiderwoman, Silkwood, The Day After, Red Dawn, Moscow on the Hudson, Troop Beverly Hills, and Fatal Attraction. Utilizing the principles of New Historicism, Palmer demonstrates that film can analyze and critique history as well as present it.
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Karim is the director of this “ theater of the real ” as he places Loren in a toney apartment in Half Moon Street appropriate for her assignations with Lord Bolbeck . The film's themes are both political and personal simultaneously .
Broadcast News ( 1988 ) and Switching Channels ( 1988 ) both went behind the scenes in the world of TV news to study the job - generated yuppie angst of the high - pressure media world , while Street Smart ( 1987 ) examined the loss of ...
In fact , Wall Street , The Secret of My Success , and Working Girl open with exactly the same montage of aerials of the Manhattan skyline and morning rush New York street scenes . In each film this stylized urban montage sets the ...
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The Vietnam War as Film Text
The Coming Home Films
The Terrorism Film Texts
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