The Films of the Eighties: A Social History
Southern Illinois University Press, 1993 - 335 pages
In this remarkable sequel to his Films of the Seventies: A Social History, William J. Palmer examines more than three hundred films as texts that represent, revise, parody, comment upon, and generate discussion about major events, issues, and social trends of the eighties.
Palmer defines the dialectic between film art and social history, taking as his theoretical model the "holograph of history" that originated from the New Historicist theories of Hayden White and Dominick LaCapra. Combining the interests and methodologies of social history and film criticism, Palmer contends that film is a socially conscious interpreter and commentator upon the issues of contemporary social history. In the eighties, such issues included the war in Vietnam, the preservation of the American farm, terrorism, nuclear holocaust, changes in Soviet-American relations, neoconservative feminism, and yuppies.
Among the films Palmer examines are Platoon, The Killing Fields, The River, Out of Africa, Little Drummer Girl, Kiss of the Spiderwoman, Silkwood, The Day After, Red Dawn, Moscow on the Hudson, Troop Beverly Hills, and Fatal Attraction. Utilizing the principles of New Historicism, Palmer demonstrates that film can analyze and critique history as well as present it.
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Joker counters Hartman's orations and obscene incantations with a comical impression of America's mythical twentieth - century warrior , John Wayne . Just as Hartman barks the formulaic chants of the ritualized Marine Corps language ...
both , John Wayne raises his mocking voice . In one of Joker's Stars and Stripes press meetings , the theme of language is everywhere . The words of the war are being mercilessly parodied . “ If we move the Vietnamese they are ...
Gross , Linda , 322n Guevara , Che , 212 Gung Ho , 108 Hume , Edward , 182 Hunt for Red October , The , 214 Hustler , The , 294 Huston , John , 141 , 146–47 Iceman , 186 If You Love the Planet , 183 Immediate Family , 262 , 306–7 ...
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The Vietnam War as Film Text
The Coming Home Films
The Terrorism Film Texts
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