The Films of the Eighties: A Social History
Southern Illinois University Press, 1993 - 335 pages
In this remarkable sequel to his Films of the Seventies: A Social History, William J. Palmer examines more than three hundred films as texts that represent, revise, parody, comment upon, and generate discussion about major events, issues, and social trends of the eighties.
Palmer defines the dialectic between film art and social history, taking as his theoretical model the "holograph of history" that originated from the New Historicist theories of Hayden White and Dominick LaCapra. Combining the interests and methodologies of social history and film criticism, Palmer contends that film is a socially conscious interpreter and commentator upon the issues of contemporary social history. In the eighties, such issues included the war in Vietnam, the preservation of the American farm, terrorism, nuclear holocaust, changes in Soviet-American relations, neoconservative feminism, and yuppies.
Among the films Palmer examines are Platoon, The Killing Fields, The River, Out of Africa, Little Drummer Girl, Kiss of the Spiderwoman, Silkwood, The Day After, Red Dawn, Moscow on the Hudson, Troop Beverly Hills, and Fatal Attraction. Utilizing the principles of New Historicism, Palmer demonstrates that film can analyze and critique history as well as present it.
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Davies's example is an artificial , sound - stage view of America , but his point speaks to the power of film to present America . American films define the temper of American society in the time of their time .
Alamo Bay , in its analysis and E.T. - like ( Dinh is a cheerful , saintly , wide - eyed alien ) condemnation of America's new racism , is the exception rather than the rule of eighties film representations of the racial hatred that ...
country or the world sponsored by governments such as Iran , Libya , or a number of South and Central American “ death squad ” governments . In fact , the history of America's foreign policy in the eighties is more often than not a ...
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The Vietnam War as Film Text
The Coming Home Films
The Terrorism Film Texts
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