RubensVelhagen & Klasing, 1904 - 168 pages This biography of Peter Paul Rubens, written by German art historian Hermann Knackfuss, is considered to be the most authoritative text on the artist since its publication. |
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Page 12
... exaggerated form and bold fore - shortening ; an inclination to fill empty space with sumptuous objects ; a display of harmonious colouring and pictorial effect. ( To page 18. ) HEAD OF A BISHOP . In the Dresden Gallery . 12.
... exaggerated form and bold fore - shortening ; an inclination to fill empty space with sumptuous objects ; a display of harmonious colouring and pictorial effect. ( To page 18. ) HEAD OF A BISHOP . In the Dresden Gallery . 12.
Page 13
Hermann Knackfuss. objects ; a display of harmonious colouring and pictorial effect : and a strong task for soft and shining flesh - tints , the shadows in which graduate almost to the red of the blood . Another early work is the ...
Hermann Knackfuss. objects ; a display of harmonious colouring and pictorial effect : and a strong task for soft and shining flesh - tints , the shadows in which graduate almost to the red of the blood . Another early work is the ...
Page 58
... objects of so much weight are not convenient , and moreover - to be frank we all have human weak- we sometimes change our tastes , and so my fancy has suddenly taken another turn and has gone over from the sculptors to the painters ...
... objects of so much weight are not convenient , and moreover - to be frank we all have human weak- we sometimes change our tastes , and so my fancy has suddenly taken another turn and has gone over from the sculptors to the painters ...
Page 99
... for it is well known that he himself was a first rate painter of landscapes . It was apparently also during these years that he began to paint pictures . 517724 A some where the landscape was the chief object and the. 7 * 99.
... for it is well known that he himself was a first rate painter of landscapes . It was apparently also during these years that he began to paint pictures . 517724 A some where the landscape was the chief object and the. 7 * 99.
Page 100
Hermann Knackfuss. some where the landscape was the chief object and the figures only accessories . We find such works mentioned for the first time in a list dated 1625 , two of which are now in the Royal Galleries at Windsor . One of ...
Hermann Knackfuss. some where the landscape was the chief object and the figures only accessories . We find such works mentioned for the first time in a list dated 1625 , two of which are now in the Royal Galleries at Windsor . One of ...
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adorned Albertina at Vienna Albrecht altar altar-piece Ambassador Antwerp Archduke artist Balthasar Moretus Berlin Museum Brussels Cardinal Infant Carleton charm Clément Clément & Co Collection Cologne colour commission composition daughter death decoration designed display Dornach Drawing Dresden Gallery English engraving executed expression figures Flemish florins France Franz Hanfstängl Gallery at Vienna Gerbier hand Helena Fourment Hermitage at St Holy Imperial Museum Infant Christ Infanta Isabella Isabella Brant King of Spain KNACKFUSS ladies landscape letter Liechtenstein Gallery life-size Louvre Louvre at Paris marble Maria de Medici master master-pieces Medici Gallery Munich Pinakothek Museum at Antwerp Museum at Vienna mythological negotiations Netherlands nymph original by Braun original by Franz painted painter Palace Paris and New-York peace period Peter Paul Rubens Petersburg Philip photograph picture Pinakothek at Munich Plantin-Moretus Museum portrait possesses Prince pupils Queen representing Saint Scaglia scenes seems sketch Spanish Spinola town Virgin whilst wife wrote