RubensVelhagen & Klasing, 1904 - 168 pages |
From inside the book
Page 34
... composition which , when finally executed , was divided into three parts : The Elevation of the Cross in the centre : on the right the Weeping Women : on the left the Roman Centurion ( Fig . 16 ) . The central - subject has been ...
... composition which , when finally executed , was divided into three parts : The Elevation of the Cross in the centre : on the right the Weeping Women : on the left the Roman Centurion ( Fig . 16 ) . The central - subject has been ...
Page 41
... composition ( Fig . 22 ) . More beautiful still is the other picture in the Berlin Museum . It is true that the figure of Andromeda is here perhaps less attractive ; but on the other hand , the cupids , especially those laying around ...
... composition ( Fig . 22 ) . More beautiful still is the other picture in the Berlin Museum . It is true that the figure of Andromeda is here perhaps less attractive ; but on the other hand , the cupids , especially those laying around ...
Page 47
... composition even the chaste Diana herself ( Fig . 32 ) . He deals repeatedly with the legend of Meleager and Atalanta , a subject which gave him the opportunity of representing manly strenght and Fig . 38. THE BOAR HUNT . In the ...
... composition even the chaste Diana herself ( Fig . 32 ) . He deals repeatedly with the legend of Meleager and Atalanta , a subject which gave him the opportunity of representing manly strenght and Fig . 38. THE BOAR HUNT . In the ...
Page 48
Hermann Knackfuss. back of the composition , we may recognise in the fascinating portrait in the Dresden Gallery of a ... compositions and replicas : but he himself always put in the final touches ; thus giving them the stamp of his ...
Hermann Knackfuss. back of the composition , we may recognise in the fascinating portrait in the Dresden Gallery of a ... compositions and replicas : but he himself always put in the final touches ; thus giving them the stamp of his ...
Page 53
... compositions . Of which latter animals he has left numerous sketches . We are told that he once invited into his ... composition , full of wildest ( Fig . 40 ) . movement Typserovare Hanfstoen zi Fig . 44. THE ADORATION OF THE ...
... compositions . Of which latter animals he has left numerous sketches . We are told that he once invited into his ... composition , full of wildest ( Fig . 40 ) . movement Typserovare Hanfstoen zi Fig . 44. THE ADORATION OF THE ...
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adorned Albertina at Vienna Albrecht altar altar-piece Ambassador Antwerp Archduke artist Balthasar Moretus Berlin Museum Brussels Buckingham Cardinal Infant Carleton charm Church Clément Clément & Co Collection Cologne colour commission composition daughter death decoration designed display Dornach Drawing Dresden Gallery Duke English engraving executed expression figures Flemish florins France Franz Hanfstängl Gallery at Vienna GARDEN OF LOVE Gerbier hand Helena Fourment Hermitage at St Holy Imperial Museum Infant Christ Infanta Isabella Isabella Brant King of Spain KNACKFUSS ladies landscape letter Liechtenstein Gallery Louvre Louvre at Paris Mantua marble Maria de Medici master Munich Pinakothek Museum at Antwerp Museum at Vienna negotiations Netherlands original by Braun original by Franz painted painter Palace Paris and New-York peace period Peter Paul Rubens Petersburg Philip photograph picture Pinakothek at Munich Plantin-Moretus Museum portrait Prince pupils Queen representing Saint Scaglia scenes Schelte seems sketch Spanish town Virgin whilst wife wrote