RubensThis biography of Peter Paul Rubens, written by German art historian Hermann Knackfuss, is considered to be the most authoritative text on the artist since its publication. |
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Page 15
2 ) , representing his two patrons , Saint Peter and Saint Paul . It is most
interesting to examine closely the manner in which Rubens set to work when
copying Italian Masters . His copies of the portrait of Isabella d ' Este , now in the
Museum of ...
2 ) , representing his two patrons , Saint Peter and Saint Paul . It is most
interesting to examine closely the manner in which Rubens set to work when
copying Italian Masters . His copies of the portrait of Isabella d ' Este , now in the
Museum of ...
Page 23
which are still to be seen over the high - altar , representing the Queen of Heaven
with three Saints on either hand . He reserved for himself however the picture that
he had first painted , in which , besides the two Patrons of the church , he had ...
which are still to be seen over the high - altar , representing the Queen of Heaven
with three Saints on either hand . He reserved for himself however the picture that
he had first painted , in which , besides the two Patrons of the church , he had ...
Page 30
Virgin - Saints stand on cither side of the throne as ladies in waiting , whilst in a
flood of light child - angels joyously hover around it . In the two wings the
Archduke and his Archduchess on their knees , clad in royal robes , and with their
Patrons ...
Virgin - Saints stand on cither side of the throne as ladies in waiting , whilst in a
flood of light child - angels joyously hover around it . In the two wings the
Archduke and his Archduchess on their knees , clad in royal robes , and with their
Patrons ...
Page 39
Rubens painted in 1612 a picture of the Resurrection , with figures of Saints and
Angels on the side wings , for his friend Balthasar Moretus . This work was
intended to be placed over the tomb of Moretus ' father in the Antwerp Cathedral ,
and ...
Rubens painted in 1612 a picture of the Resurrection , with figures of Saints and
Angels on the side wings , for his friend Balthasar Moretus . This work was
intended to be placed over the tomb of Moretus ' father in the Antwerp Cathedral ,
and ...
Page 45
His right arm is supported by Mary Magdalen , — the favourite female Saint of the
painter , — whilst in the foreground kneel the other Maries Fig . 36 . Head of A
CHILD ( Rubens ' eldest daughter ) . In the Liechtenstein Gallery at Vienna .
His right arm is supported by Mary Magdalen , — the favourite female Saint of the
painter , — whilst in the foreground kneel the other Maries Fig . 36 . Head of A
CHILD ( Rubens ' eldest daughter ) . In the Liechtenstein Gallery at Vienna .
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Common terms and phrases
according adorned Albertina altar Ambassador Antwerp appears artist belong Brussels Buckingham charm Christ Church Clément Clément & Co Collection Cologne colour commission completion composition court Cross daughter death decoration designed desired display Dornach Drawing Duke effect England English engraving entirely executed expression figures France Franz Hanfstäng Gallery Gerbier give hand head Helena Fourment Hermitage Imperial Infant intended Isabella Italy King known ladies landscape later learned letter light lived Louvre Madrid Maria master Medici Museum nature object original by Braun original by Franz painted painter Paris and New-York Paul peace perhaps period Peter Petersburg Philip photograph picture Pinakothek at Munich portrait possesses powerful present Prince probably reason received representing Rubens scenes seems shows sketch Spain Spanish town Vienna whilst whole wife wish wrote young
Bibliographic information
| Title | Rubens Volume 9 of Monographs on artists ... IX |
| Author | Hermann Knackfuss |
| Translated by | Luise Marie Schwaab Richter |
| Publisher | Velhagen & Klasing, 1904 |
| Original from | the New York Public Library |
| Digitized | 24 Apr 2008 |
| Length | 168 pages |
| Export Citation | BiBTeX EndNote RefMan |