RubensVelhagen & Klasing, 1904 - 168 pages |
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Page 10
... reason that Peter Paul Rubens thought himself justified in stating : that he had passed the first 10 years of his life in Cologne . It is therefore not to be wondered at , that for centuries Cologne was supposed to have been his ...
... reason that Peter Paul Rubens thought himself justified in stating : that he had passed the first 10 years of his life in Cologne . It is therefore not to be wondered at , that for centuries Cologne was supposed to have been his ...
Page 15
... reason that Rubens during his stay in Rome studied antique art as well as the works of the great Fig . 10. PORTRAIT OF A FRANCISCAN MONK In the Pinakothek at Munich . After a photopraph from the original by Franz Hanfstängl , Munich ...
... reason that Rubens during his stay in Rome studied antique art as well as the works of the great Fig . 10. PORTRAIT OF A FRANCISCAN MONK In the Pinakothek at Munich . After a photopraph from the original by Franz Hanfstängl , Munich ...
Page 72
... reason with an otherwise so admirably executed a painting . Rubens was commissioned to paint it for the Church of St. Francis , by the major Nicolas Rockox with whom he was on terms of intimate friendship . An excellent portrait of this ...
... reason with an otherwise so admirably executed a painting . Rubens was commissioned to paint it for the Church of St. Francis , by the major Nicolas Rockox with whom he was on terms of intimate friendship . An excellent portrait of this ...
Page 101
... , are thoroughly tired of the war , and would be con- tent to lay down their arms That is why the Marquis Spinola so firmly resolved either to capture Breda , or to bury his corpse and his honour in its defences " . It stands to reason ...
... , are thoroughly tired of the war , and would be con- tent to lay down their arms That is why the Marquis Spinola so firmly resolved either to capture Breda , or to bury his corpse and his honour in its defences " . It stands to reason ...
Page 102
Hermann Knackfuss. in its defences " . It stands to reason that Rubens did not carry on these negotiations wholly on his own account , but that he acted at the instigation of the Infanta Isabella . It is certainly strange that this ...
Hermann Knackfuss. in its defences " . It stands to reason that Rubens did not carry on these negotiations wholly on his own account , but that he acted at the instigation of the Infanta Isabella . It is certainly strange that this ...
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Common terms and phrases
adorned Albertina at Vienna Albrecht altar altar-piece Ambassador Antwerp Archduke artist Balthasar Moretus Berlin Museum Brussels Cardinal Infant Carleton charm Clément Clément & Co Collection Cologne colour commission composition daughter death decoration designed display Dornach Drawing Dresden Gallery English engraving executed expression figures Flemish florins France Franz Hanfstängl Gallery at Vienna Gerbier hand Helena Fourment Hermitage at St Holy Imperial Museum Infant Christ Infanta Isabella Isabella Brant King of Spain KNACKFUSS ladies landscape letter Liechtenstein Gallery life-size Louvre Louvre at Paris marble Maria de Medici master master-pieces Medici Gallery Munich Pinakothek Museum at Antwerp Museum at Vienna mythological negotiations Netherlands nymph original by Braun original by Franz painted painter Palace Paris and New-York peace period Peter Paul Rubens Petersburg Philip photograph picture Pinakothek at Munich Plantin-Moretus Museum portrait possesses Prince pupils Queen representing Saint Scaglia scenes seems sketch Spanish Spinola town Virgin whilst wife wrote
Bibliographic information
| Title | Rubens Added t.-p.: Monographs on artists ... IX Volume 9 of Monographs on artists ... IX |
| Author | Hermann Knackfuss |
| Translated by | Luise Marie Schwaab Richter |
| Publisher | Velhagen & Klasing, 1904 |
| Original from | the New York Public Library |
| Digitized | 24 Apr 2008 |
| Length | 168 pages |
| Export Citation | BiBTeX EndNote RefMan |