RubensVelhagen & Klasing, 1904 - 168 pages |
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Page 12
... tending to create exaggerated form and bold fore - shortening ; an inclination to fill empty space with sumptuous objects ; a display of harmonious colouring and pictorial effect. ( To page 18. ) In the Albertina at Vienna . 12 17.
... tending to create exaggerated form and bold fore - shortening ; an inclination to fill empty space with sumptuous objects ; a display of harmonious colouring and pictorial effect. ( To page 18. ) In the Albertina at Vienna . 12 17.
Page 13
Hermann Knackfuss. objects ; a display of harmonious colouring and pictorial effect : and a strong task for soft and shining flesh - tints , the shadows in which graduate almost to the red of the blood . Another early work is the ...
Hermann Knackfuss. objects ; a display of harmonious colouring and pictorial effect : and a strong task for soft and shining flesh - tints , the shadows in which graduate almost to the red of the blood . Another early work is the ...
Page 58
... objects of so much weight are not convenient , and moreover -to be frank - we all have human weak- nesses we sometimes change our tastes , and so my fancy has suddenly taken another turn and has gone over from the sculptors to the ...
... objects of so much weight are not convenient , and moreover -to be frank - we all have human weak- nesses we sometimes change our tastes , and so my fancy has suddenly taken another turn and has gone over from the sculptors to the ...
Page 99
... : for it is well known that he himself was a first rate painter of landscapes . It was apparently also during these years that he began to paint pictures 7 517724 A where the landscape was the chief object and the figures. 99.
... : for it is well known that he himself was a first rate painter of landscapes . It was apparently also during these years that he began to paint pictures 7 517724 A where the landscape was the chief object and the figures. 99.
Page 100
Hermann Knackfuss. where the landscape was the chief object and the figures only accessories . We find such works mentioned for the first time in a list dated 1625 , two of which are now in the Royal Galleries at Windsor . One of these ...
Hermann Knackfuss. where the landscape was the chief object and the figures only accessories . We find such works mentioned for the first time in a list dated 1625 , two of which are now in the Royal Galleries at Windsor . One of these ...
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adorned Albertina at Vienna Albrecht altar altar-piece Ambassador Antwerp Archduke artist Balthasar Moretus Berlin Museum Brussels Buckingham Cardinal Infant Carleton charm Church Clément Clément & Co Collection Cologne colour commission composition daughter death decoration designed display Dornach Drawing Dresden Gallery Duke English engraving executed expression figures Flemish florins France Franz Hanfstängl Gallery at Vienna GARDEN OF LOVE Gerbier hand Helena Fourment Hermitage at St Holy Imperial Museum Infant Christ Infanta Isabella Isabella Brant King of Spain KNACKFUSS ladies landscape letter Liechtenstein Gallery Louvre Louvre at Paris Mantua marble Maria de Medici master Munich Pinakothek Museum at Antwerp Museum at Vienna negotiations Netherlands original by Braun original by Franz painted painter Palace Paris and New-York peace period Peter Paul Rubens Petersburg Philip photograph picture Pinakothek at Munich Plantin-Moretus Museum portrait Prince pupils Queen representing Saint Scaglia scenes Schelte seems sketch Spanish town Virgin whilst wife wrote