RubensVelhagen & Klasing, 1904 - 168 pages |
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Page 13
... colour no doubt specially attracted him . Through the medium of a Mantuan nobleman , whose acquaintance he made in Venice he was in- vited to the court of Mantua during that same year . Among all the numerous art - loving princes of his ...
... colour no doubt specially attracted him . Through the medium of a Mantuan nobleman , whose acquaintance he made in Venice he was in- vited to the court of Mantua during that same year . Among all the numerous art - loving princes of his ...
Page 15
... into his own language of colour and form ; especially the Dresden picture , where one may even detect in the fair Venetian something of his own Flemish ideals of beauty . On other occasions Rubens treated his subject even more freely. 15.
... into his own language of colour and form ; especially the Dresden picture , where one may even detect in the fair Venetian something of his own Flemish ideals of beauty . On other occasions Rubens treated his subject even more freely. 15.
Page 28
... colour , which , however , did not long remain in the position intended for it ; for in 1612 it was presented by the municipality to Count Oliva , in order to obtain his favour , who took it with him to Spain . When some time afterwards ...
... colour , which , however , did not long remain in the position intended for it ; for in 1612 it was presented by the municipality to Count Oliva , in order to obtain his favour , who took it with him to Spain . When some time afterwards ...
Page 42
... colour ( Fig . 23 ) . Fig . 33. THE BETRAYAL OF SAMSON . In the Pinakothek at Munich . After a photograph from the original by Franz Hanfstängl , Munich . ( To page 47 ) Rubens always possessed great talent in the representation of the ...
... colour ( Fig . 23 ) . Fig . 33. THE BETRAYAL OF SAMSON . In the Pinakothek at Munich . After a photograph from the original by Franz Hanfstängl , Munich . ( To page 47 ) Rubens always possessed great talent in the representation of the ...
Page 64
... colour . The key - note is the King in the centre , clad in a magnificent red mantle , which forms a contrast with the blue garment of the Virgin . Light radiates from the Infant as it were illuminating the Kings , the oldest of whom is ...
... colour . The key - note is the King in the centre , clad in a magnificent red mantle , which forms a contrast with the blue garment of the Virgin . Light radiates from the Infant as it were illuminating the Kings , the oldest of whom is ...
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adorned Albertina at Vienna Albrecht altar altar-piece Ambassador Antwerp Archduke artist Balthasar Moretus Berlin Museum Brussels Buckingham Cardinal Infant Carleton charm Church Clément Clément & Co Collection Cologne colour commission composition daughter death decoration designed display Dornach Drawing Dresden Gallery Duke English engraving executed expression figures Flemish florins France Franz Hanfstängl Gallery at Vienna GARDEN OF LOVE Gerbier hand Helena Fourment Hermitage at St Holy Imperial Museum Infant Christ Infanta Isabella Isabella Brant King of Spain KNACKFUSS ladies landscape letter Liechtenstein Gallery Louvre Louvre at Paris Mantua marble Maria de Medici master Munich Pinakothek Museum at Antwerp Museum at Vienna negotiations Netherlands original by Braun original by Franz painted painter Palace Paris and New-York peace period Peter Paul Rubens Petersburg Philip photograph picture Pinakothek at Munich Plantin-Moretus Museum portrait Prince pupils Queen representing Saint Scaglia scenes Schelte seems sketch Spanish town Virgin whilst wife wrote