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Page 14
The "Crowning with Thorns", the "Crucifixion" and the "Invention of the Cross"
were the three pictures painted by Rubens on this occasion for this purpose.
They remained in situ until 181 1, when Fig. 9. Christ, from a series of drawings :
Christ ...
The "Crowning with Thorns", the "Crucifixion" and the "Invention of the Cross"
were the three pictures painted by Rubens on this occasion for this purpose.
They remained in situ until 181 1, when Fig. 9. Christ, from a series of drawings :
Christ ...
Page 20
Rueens and his wife Isaeeli.a Brant. In the Pinakothek at Munich. After a
photograph from the original by Franz Hanfstangl, Munich. (To page 26.) Fig. 17.
The Elevation of the Cross. From an engraving. 20 Rubens and his wife Isabella
Brant In ...
Rueens and his wife Isaeeli.a Brant. In the Pinakothek at Munich. After a
photograph from the original by Franz Hanfstangl, Munich. (To page 26.) Fig. 17.
The Elevation of the Cross. From an engraving. 20 Rubens and his wife Isabella
Brant In ...
Page 23
The Elevation of the Cross. Drawing in black and red chalk on green paper,
washed and hightened with white. In the Louvre at Paris. After a photograph from
the original by Braun , Clement & Co., Dornach , Paris and New-York. (To page
34.) ...
The Elevation of the Cross. Drawing in black and red chalk on green paper,
washed and hightened with white. In the Louvre at Paris. After a photograph from
the original by Braun , Clement & Co., Dornach , Paris and New-York. (To page
34.) ...
Page 24
Although he executed numerous important works in Italy, his sojourn there can
only be regarded as a time of apprenticeship, it was on returning to. Fig. 17. The
Elevation of the Cross. From an engraving by Witdoek. (To page 34.) Fig. 18.
Although he executed numerous important works in Italy, his sojourn there can
only be regarded as a time of apprenticeship, it was on returning to. Fig. 17. The
Elevation of the Cross. From an engraving by Witdoek. (To page 34.) Fig. 18.
Page 25
The Descent from the Cross. In the Antwerp Museum. After a photograph from the
original by Braun, Clement & Co., Dornach, Paris and New-York. (To page 34.)
Fig. 19. St. Christofhorus. In the Pinakothek at Munich. After. 25 The Descent ...
The Descent from the Cross. In the Antwerp Museum. After a photograph from the
original by Braun, Clement & Co., Dornach, Paris and New-York. (To page 34.)
Fig. 19. St. Christofhorus. In the Pinakothek at Munich. After. 25 The Descent ...
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Common terms and phrases
adorned Albertina at Vienna altar altar-piece Ambassador angels antique marbles Antwerp Antwerp Museum Archduchess Archduke Albrecht artist Balthasar Moretus beautiful Brussels Buckingham Carleton charm Clement Collection Cologne colour commission composition Cross daughter death decoration designed Dornach drawings Dresden Gallery Duke of Mantua England engraving executed expression figures Flemish florins France Franz Hanfstangl Gallery at Vienna Gerbier goddess hand head Helena Fourment Hermitage at St Holy Imperial Museum Isabella Brant Johann King of Spain Knackfuss landscape letter life-size Louis XIII Louvre magnificent Maria de Medici Mary Magdalene master Medici Gallery mother Munich Pinakothek Museum at Antwerp Museum at Madrid Museum at Vienna mythological Netherlands nymph original by Braun original by Franz painted painter Paris and New-York peace period Peter Paul Rubens Petersburg Philip photograph picture Pinakothek at Munich Plantin-Moretus Museum portrait possesses Prince pupils Queen representing Saint Scaglia scenes seems sketch Spanish Vienna Fig Virgin whilst Wicq wife
Bibliographic information
| Title | Rubens Volume 9 of Monographs on artists |
| Author | Hermann Knackfuss |
| Translated by | Luise Marie Schwab Richter |
| Publisher | Velhagen & Klasing, 1904 |
| Original from | the New York Public Library |
| Digitized | 24 Apr 2008 |
| Length | 168 pages |
| Export Citation | BiBTeX EndNote RefMan |