RubensThis biography of Peter Paul Rubens, written by German art historian Hermann Knackfuss, is considered to be the most authoritative text on the artist since its publication. |
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Page 14
The "Crowning with Thorns", the "Crucifixion" and the "Invention of the Cross"
were the three pictures painted by Rubens on this occasion for this purpose.
They remained in situ until 181 1, when Fig. 9. Christ, from a series of drawings ;
Christ ...
The "Crowning with Thorns", the "Crucifixion" and the "Invention of the Cross"
were the three pictures painted by Rubens on this occasion for this purpose.
They remained in situ until 181 1, when Fig. 9. Christ, from a series of drawings ;
Christ ...
Page 20
Rueens and his wife Isaeeli.a Brant. In the Pinakothek at Munich. After a
photograph from the original by Franz Hanfstangl, Munich. (To page 26.) Fig. 17.
The Elevation of the Cross. From an engraving. 20 Rubens and his wife Isabella
Brant In ...
Rueens and his wife Isaeeli.a Brant. In the Pinakothek at Munich. After a
photograph from the original by Franz Hanfstangl, Munich. (To page 26.) Fig. 17.
The Elevation of the Cross. From an engraving. 20 Rubens and his wife Isabella
Brant In ...
Page 23
The Elevation of the Cross. Drawing in black and red chalk on green paper,
washed and hightened with white. In the Louvre at Paris. After a photograph from
the original by Braun , Clement & Co., Dornach , Paris and New-York. (To page
34.) ...
The Elevation of the Cross. Drawing in black and red chalk on green paper,
washed and hightened with white. In the Louvre at Paris. After a photograph from
the original by Braun , Clement & Co., Dornach , Paris and New-York. (To page
34.) ...
Page 24
Although he executed numerous important works in Italy, his sojourn there can
only be regarded as a time of apprenticeship, it was on returning to. Fig. 17. The
Elevation of the Cross. From an engraving by Witdoek. (To page 34.) Fig. 18.
Although he executed numerous important works in Italy, his sojourn there can
only be regarded as a time of apprenticeship, it was on returning to. Fig. 17. The
Elevation of the Cross. From an engraving by Witdoek. (To page 34.) Fig. 18.
Page 25
The Descent from the Cross. In the Antwerp Museum. After a photograph from the
original by Braun, Clement & Co., Dornach, Paris and New-York. (To page 34.)
Fig. 19. St. Christofhorus. In the Pinakothek at Munich. After. 25 The Descent ...
The Descent from the Cross. In the Antwerp Museum. After a photograph from the
original by Braun, Clement & Co., Dornach, Paris and New-York. (To page 34.)
Fig. 19. St. Christofhorus. In the Pinakothek at Munich. After. 25 The Descent ...
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Common terms and phrases
according adorned Albertina altar altar-piece Antwerp appears arms artist attractive beautiful beside Brussels charm Christ church Clement Collection colour commission completed composition Cross daughter death decoration designed desired display Dornach drawings Duke effect England English engraving entirely executed expression figures four France Franz Hanfstangl Gallery give hand head Hermitage Holy Imperial Infant intended Isabella Italy King known landscape later letter light live Louvre Madrid marble Maria Mary master Medici mother Museum nature original by Braun original by Franz painted painter Paris and New-York Paul peace perhaps period Peter Petersburg Philip photograph picture Pinakothek at Munich portrait possesses present Prince probably pupils Queen received representing returned Rubens Saint scenes seems shows side sketch Spain Spanish stands studies town Vienna Virgin whilst whole wife young
Bibliographic information
| Title | Rubens Volume 9 of Monographs on artists ... IX |
| Author | Hermann Knackfuss |
| Translated by | Luise Marie Schwaab Richter |
| Publisher | H. Grevel & Company, 1904 |
| Original from | the New York Public Library |
| Digitized | 24 Apr 2008 |
| Length | 168 pages |
| Export Citation | BiBTeX EndNote RefMan |