RubensThis biography of Peter Paul Rubens, written by German art historian Hermann Knackfuss, is considered to be the most authoritative text on the artist since its publication. |
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Page 12
It represents the Dead Christ , supported by two angels and holding the symbols
of his Passion , in the arms of God the Father above whom hovers the Holy Spirit .
It must be admitted , that this picture taken as a whole , is neither satisfactory ...
It represents the Dead Christ , supported by two angels and holding the symbols
of his Passion , in the arms of God the Father above whom hovers the Holy Spirit .
It must be admitted , that this picture taken as a whole , is neither satisfactory ...
Page 14
The “ Crowning with Thorns ” , the “ Crucifixion ” and the “ Invention of the Cross ”
were the three pictures painted by Rubens on this occasion for this purpose .
They remained in situ until 1811 , when Fig . 9 . Christ , from a series of drawings
...
The “ Crowning with Thorns ” , the “ Crucifixion ” and the “ Invention of the Cross ”
were the three pictures painted by Rubens on this occasion for this purpose .
They remained in situ until 1811 , when Fig . 9 . Christ , from a series of drawings
...
Page 18
After he had accomplished his mission to the King of Spain he was employed
until the following autumn by the Duke of Lerma , of whom he painted an
equestrian portrait , besides thirteen single figures : Christ and his Twelve
Apostles .
After he had accomplished his mission to the King of Spain he was employed
until the following autumn by the Duke of Lerma , of whom he painted an
equestrian portrait , besides thirteen single figures : Christ and his Twelve
Apostles .
Page 22
We need only mention a picture in the Hermitage Christ in the House of Simon ,
which recalls Paolo Veronese : the versions of Venus and Adonis at the Hague ,
in Munich , and at St . Petersburg , influenced by Titian ; and the Pietà in the ...
We need only mention a picture in the Hermitage Christ in the House of Simon ,
which recalls Paolo Veronese : the versions of Venus and Adonis at the Hague ,
in Munich , and at St . Petersburg , influenced by Titian ; and the Pietà in the ...
Page 28
... of whom were of noble lineage . To show his gratitude for so much honour , he
painted this altar - piece without demanding any remuneration . He gave to it the
shape of an. 28 The Lamentation for Christ In the Imperial Museum at Vienna.
... of whom were of noble lineage . To show his gratitude for so much honour , he
painted this altar - piece without demanding any remuneration . He gave to it the
shape of an. 28 The Lamentation for Christ In the Imperial Museum at Vienna.
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Common terms and phrases
according adorned Albertina altar Ambassador Antwerp appears artist belong Brussels Buckingham charm Christ Church Clément Clément & Co Collection Cologne colour commission completion composition court Cross daughter death decoration designed desired display Dornach Drawing Duke effect England English engraving entirely executed expression figures France Franz Hanfstäng Gallery Gerbier give hand head Helena Fourment Hermitage Imperial Infant intended Isabella Italy King known ladies landscape later learned letter light lived Louvre Madrid Maria master Medici Museum nature object original by Braun original by Franz painted painter Paris and New-York Paul peace perhaps period Peter Petersburg Philip photograph picture Pinakothek at Munich portrait possesses powerful present Prince probably reason received representing Rubens scenes seems shows sketch Spain Spanish town Vienna whilst whole wife wish wrote young
Bibliographic information
| Title | Rubens Volume 9 of Monographs on artists ... IX |
| Author | Hermann Knackfuss |
| Translated by | Luise Marie Schwaab Richter |
| Publisher | Velhagen & Klasing, 1904 |
| Original from | the New York Public Library |
| Digitized | 24 Apr 2008 |
| Length | 168 pages |
| Export Citation | BiBTeX EndNote RefMan |