Sketches of Great PaintersStewart and Kidd Company, 1915 - 263 pages |
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... walls of government build- ings , and municipal councils are supporting local museums of art . The past century has seen a won- derful work as man has steadily subdued the rough earth and acquired dominion over the elemental forces of a ...
... walls of government build- ings , and municipal councils are supporting local museums of art . The past century has seen a won- derful work as man has steadily subdued the rough earth and acquired dominion over the elemental forces of a ...
Page 13
... walls of one of the rooms of the Vatican , the Camera della Segnatura , are the " Disputa , " the " School of Athens , " " Parnassus , " and " Jurispru- dence . " The Loggia consists of thirteen small domes , each decorated with four ...
... walls of one of the rooms of the Vatican , the Camera della Segnatura , are the " Disputa , " the " School of Athens , " " Parnassus , " and " Jurispru- dence . " The Loggia consists of thirteen small domes , each decorated with four ...
Page 33
... wall , nor any attempt at ornament ; none of the knickknacks and objects of virtu which most artists think it so essential to gather around them . There was a lamp on the table , at which Millet was read- ing when I entered , while his ...
... wall , nor any attempt at ornament ; none of the knickknacks and objects of virtu which most artists think it so essential to gather around them . There was a lamp on the table , at which Millet was read- ing when I entered , while his ...
Page 42
... of intricate caprices mingled with divine conceptions . No mind of power so versatile and penetrating was ever devoted to artistic effort . G. B. ROSE in Renaissance Masters . LEONARDO DA VINCI I On the northern wall of the.
... of intricate caprices mingled with divine conceptions . No mind of power so versatile and penetrating was ever devoted to artistic effort . G. B. ROSE in Renaissance Masters . LEONARDO DA VINCI I On the northern wall of the.
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admired Antwerp architect artist Barbizon beauty born called canvas centuries charm child color Corot court criticism death decoration Duke Dyck exhibited face fame famous father feel figures Florence francs friends Gallery genius Giorgione girl give grace greatest painter hand heart honor horses human hundred imagination impression Italy Joshua king landscape Last Judgment later Leonardo light lived looked Louvre loved Madrid master masterpiece Michelangelo Millet Mona Lisa mother Murillo nature never Night Watch painted painter Paris patron peasant perfection Perugino Philip picture poet Pope portrait praise prince prosperity pupil Raphael Rembrandt Reynolds rich Rome Rosa Bonheur Rubens Ruskin sculptor seems Seville Shakspere silence Sistine Chapel Sistine Madonna sketch soul story tender things Tintoretto tion Titian ture Turner Van Dyck Vasari Velasquez Venice Whistler wife woman writes young youth
Popular passages
Page 148 - And only the Master shall praise us. and only the Master shall blame: And no one shall work for money. and no one shall work for fame. But each for the joy of the working. and each. in his separate star. Shall draw the Thing as he sees It for the God of Things as They Are!
Page 187 - And strictly meditate the thankless Muse? Were it not better done, as others use, To sport with Amaryllis in the shade, Or with the tangles of Neaera's hair?
Page 192 - Here Reynolds is laid, and, to tell you my mind, He has not left a wiser or better behind. His pencil was striking, resistless, and grand ; His manners were gentle, complying, and bland : Still born to improve us in every part, His pencil our faces, his manners our heart.
Page 96 - And when the evening mist clothes the riverside with poetry, as with a veil, and the poor buildings lose themselves in the dim sky, and the tall chimneys become campanili, and the warehouses are palaces in the night, and the whole city hangs in the heavens, and fairy-land is before us...
Page 29 - Bowed by the weight of centuries he leans Upon his hoe and gazes on the ground, The emptiness of ages in his face, And on his back the burden of the world.
Page 94 - Lindsay ought not to have admitted works into the gallery in which the ill-educated conceit of the artist so nearly approached the aspect of wilful imposture. I have seen, and heard, much of Cockney impudence before now ; but never expected to hear a coxcomb ask two hundred guineas for flinging a pot of paint in the public's face.
Page 54 - Hers is the head upon which all 'the ends of the world are come,' and the eyelids are a little weary. It is a beauty wrought out from within upon the flesh, the deposit, little cell by cell, of strange thoughts and fantastic reveries and exquisite passions.
Page 176 - Which made my soul the worshipper and thrall Of earthly art is vain ; how criminal Is that which all men seek unwillingly. Those amorous thoughts which were so lightly dressed, What are they when the double death is nigh ? The one I know for sure, the other dread. Painting nor sculpture now can lull to rest My soul, that turns to His great love on high, Whose arms to clasp us on the cross were spread.
Page 244 - Oh yet we trust that somehow good Will be the final goal of ill To pangs of nature, sins of will, Defects of doubt, and taints of blood ; That nothing walks with aimless feet ; That not one life shall be...