Sketches of Great PaintersStewart and Kidd Company, 1915 - 263 pages |
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Page 11
... Paris . The " Madonna di Foligno " belongs to his Roman period , appearing in 1512 while he worked on his frescoes . It was originally painted for the * Rose , The World's Leading Painters . papal chamberlain , Sigismond Conti . After ...
... Paris . The " Madonna di Foligno " belongs to his Roman period , appearing in 1512 while he worked on his frescoes . It was originally painted for the * Rose , The World's Leading Painters . papal chamberlain , Sigismond Conti . After ...
Page 12
... Paris by Napoleon ; then finally placed in the Vati- can where it now rests . It is larger than the " Sistine Madonna , " with seven personages and a host of cherubic faces surrounding the Mother and Child , who are in the clouds . In ...
... Paris by Napoleon ; then finally placed in the Vati- can where it now rests . It is larger than the " Sistine Madonna , " with seven personages and a host of cherubic faces surrounding the Mother and Child , who are in the clouds . In ...
Page 23
... family was Millet , the man destined to immortalize the little village of Barbizon . He had come down from Paris the day before with his friend Jacque to find a quiet little hamlet on the edge of the forest . Jacque had 23.
... family was Millet , the man destined to immortalize the little village of Barbizon . He had come down from Paris the day before with his friend Jacque to find a quiet little hamlet on the edge of the forest . Jacque had 23.
Page 24
... Paris where he reveled in the splendors of the Louvre , and later studied in the studio of Paul Delaroche . Then he returned to Cherbourg where he married his first wife , who in two years passed away . Then to Paris again , and now to ...
... Paris where he reveled in the splendors of the Louvre , and later studied in the studio of Paul Delaroche . Then he returned to Cherbourg where he married his first wife , who in two years passed away . Then to Paris again , and now to ...
Page 32
... Paris where he could have models , he played his last card by saying that even if he went to the student's room but occasionally he would have to charge a large sum . This large sum , however , was but a hundred francs . When the ...
... Paris where he could have models , he played his last card by saying that even if he went to the student's room but occasionally he would have to charge a large sum . This large sum , however , was but a hundred francs . When the ...
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Popular passages
Page 148 - And only the Master shall praise us. and only the Master shall blame: And no one shall work for money. and no one shall work for fame. But each for the joy of the working. and each. in his separate star. Shall draw the Thing as he sees It for the God of Things as They Are!
Page 187 - And strictly meditate the thankless Muse? Were it not better done, as others use, To sport with Amaryllis in the shade, Or with the tangles of Neaera's hair?
Page 192 - Here Reynolds is laid, and, to tell you my mind, He has not left a wiser or better behind. His pencil was striking, resistless, and grand ; His manners were gentle, complying, and bland : Still born to improve us in every part, His pencil our faces, his manners our heart.
Page 96 - And when the evening mist clothes the riverside with poetry, as with a veil, and the poor buildings lose themselves in the dim sky, and the tall chimneys become campanili, and the warehouses are palaces in the night, and the whole city hangs in the heavens, and fairy-land is before us...
Page 29 - Bowed by the weight of centuries he leans Upon his hoe and gazes on the ground, The emptiness of ages in his face, And on his back the burden of the world.
Page 94 - Lindsay ought not to have admitted works into the gallery in which the ill-educated conceit of the artist so nearly approached the aspect of wilful imposture. I have seen, and heard, much of Cockney impudence before now ; but never expected to hear a coxcomb ask two hundred guineas for flinging a pot of paint in the public's face.
Page 54 - Hers is the head upon which all 'the ends of the world are come,' and the eyelids are a little weary. It is a beauty wrought out from within upon the flesh, the deposit, little cell by cell, of strange thoughts and fantastic reveries and exquisite passions.
Page 176 - Which made my soul the worshipper and thrall Of earthly art is vain ; how criminal Is that which all men seek unwillingly. Those amorous thoughts which were so lightly dressed, What are they when the double death is nigh ? The one I know for sure, the other dread. Painting nor sculpture now can lull to rest My soul, that turns to His great love on high, Whose arms to clasp us on the cross were spread.
Page 244 - Oh yet we trust that somehow good Will be the final goal of ill To pangs of nature, sins of will, Defects of doubt, and taints of blood ; That nothing walks with aimless feet ; That not one life shall be...