Popular Music: Music and identity, Volume 3

activity aesthetic alternative American Angeles artists associated audience authenticity bachata band become called collaboration collective complex concerned contemporary context continue create critical cultural dance defined discussion distinct dominant early economic effects emigration ethnic example experience expression fact feeling festival forms genre Graceland groups hip hop historical idea identity important included individual industry interest involved Irish kind language listeners lives London meaning migrant moves musicians nationalist notes organization participants particular pathways performance play players political popular music position postmodern practice present Press production question record reference relations relationship represented rock sense shared significant Simon singers social society songs sound South African Soviet space specific structure style success suggests tion traditional Ukrainian understand University urban Western White women York