Film Art: An IntroductionMcGraw-Hill Companies, 1997 - 496 pages Seeks to introduce the reader to the aesthetics of film. |
Contents
Social Factors in Film Production | 10 |
Implications of Different Modes of Film Production | 26 |
Notes and Queries | 33 |
Copyright | |
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abstract actors André Bazin angle animation artwork audience Ballet mécanique begins camera movement causal Chapter character's characters cinema cinematographer Citizen Kane classical Hollywood classical Hollywood cinema close-up Color Plate contrast conventions create cues David Bordwell dialogue diegetic director documentary effects Eisenstein elements emotional emphasize example expectations Figure film form film's filmmaker flashback footage formal system function genre Girl Friday graphic Hitchcock Kane's lens light long take look manipulation mise-en-scene mobile frame montage montage sequence motif motivation move Movie narration narrative film narrative form newsreel nondiegetic nonnarrative North by Northwest objects offscreen overall pattern plot present Raging Bull range of knowledge relations rhythm Roger Rosebud scene Segment sequence shape shooting sound track space spatial specific spectator story events story information studio style stylistic suggest Susan suspense techniques temporal Thompson University Press usually viewer visual Wizard of Oz York