Royal Imagery in Medieval Georgia |
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Initially , the book traces the produc- tion and interpretation of royal imagery over three centuries , from the revival of the Georgian monarchy in the ninth century to its culmination in the reign of Queen Tamar ( 1184–1213 ) on the ...
Initially , the book traces the produc- tion and interpretation of royal imagery over three centuries , from the revival of the Georgian monarchy in the ninth century to its culmination in the reign of Queen Tamar ( 1184–1213 ) on the ...
Page 3
Thus , the interpreta- tion of art derives entirely from external politics : it reflects rather than embodies or creates . = The principal historical sources considered in this book are the chronicles col- lected together in Kartlis ...
Thus , the interpreta- tion of art derives entirely from external politics : it reflects rather than embodies or creates . = The principal historical sources considered in this book are the chronicles col- lected together in Kartlis ...
Page 5
The advantage of studying royal imagery in Georgia lies not only in the quantity and quality of the available material , but also in the unique cultural and political posi- tion of the country . It lies on many borders : on the physical ...
The advantage of studying royal imagery in Georgia lies not only in the quantity and quality of the available material , but also in the unique cultural and political posi- tion of the country . It lies on many borders : on the physical ...
Page 15
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Page 22
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Common terms and phrases
appear apse argued Ašot At'eni Bagrat Bagrat'ionis Bertubani Betania Byzantine Byzantium century Christ Christian church clearly coins coronation court Cross crown Cxovreba cycle Davit death decoration Demet're depicted designed Detail Djobadze donor dress east emperor eristavs established evidence example father figures followed Gelati Georgian Georgian Chronicle Giorgi given haloes hand History Holy imagery imperial important indicates inscriptions interest interpretation Kartlis king Laša Macxvariši meaning monastery Mosaics Natlismcemeli nature niche north wall noted Ošk'i paintings panel patron patronage Plate political portraits position possible present promote Q'inc'visi Queen Tamar reflect reign relief represented robes royal royal imagery royal panel rule ruler Saint scenes scheme secular seems seen shown shows side similar suggests Tbilisi tion titles transept Vardzia visual Vivian wall wears women და
Popular passages
Page xix - N. Thierry, Le souverain dans les programmes d'églises en Cappadoce et en Géorgie du X' au XIII' siècle, dans Revue des études géorgiennes et caucasiennes, 4, 1988, p.