Royal Imagery in Medieval GeorgiaPenn State Press, 2010 M11 1 |
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... interpretation of royal imagery over three centuries , from the revival of the Georgian monarchy in the ninth century to its culmination in the reign of Queen Tamar ( 1184-1213 ) on the eve of the Mongolian invasions . Eastmond ...
... interpretation of royal imagery over three centuries , from the revival of the Georgian monarchy in the ninth century to its culmination in the reign of Queen Tamar ( 1184-1213 ) on the eve of the Mongolian invasions . Eastmond ...
Page 2
... interpretation that will fix those images for posterity . Traditionally , most emphasis has been placed on the models of power presented in the textual evidence , since these also provided the chronological and factual frameworks of ...
... interpretation that will fix those images for posterity . Traditionally , most emphasis has been placed on the models of power presented in the textual evidence , since these also provided the chronological and factual frameworks of ...
Page 4
... interpretations , especially today , so long after the production of the images . However , given the absence of any information about the viewing public in Georgia and its reception of these images , any interpretations of the images ...
... interpretations , especially today , so long after the production of the images . However , given the absence of any information about the viewing public in Georgia and its reception of these images , any interpretations of the images ...
Page 5
... interpretations are based on the comparative evidence provided by all the churches , and I look at how the meanings of all the images in the churches are ex- ploited to explain or enhance the royal images . The advantage of studying ...
... interpretations are based on the comparative evidence provided by all the churches , and I look at how the meanings of all the images in the churches are ex- ploited to explain or enhance the royal images . The advantage of studying ...
Page 10
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Common terms and phrases
Aladašvili Alibegašvili Ant'on appear apse Ašot At'eni Bagrat Bagrat'ioni family Bagrat'ionis Bertubani Betania Byzantine Byzantium Cappella Palatina catholicos century Christ church Constantine Constantine IX Constantinople coronation crown Čubinašvili Cxovreba Mepet-mepisa Tamarisa Davit IV Ağmašenebeli Davit Soslan decoration Deesis Demet're Demet're's depicted Djobadze donor images emperor eristavs evidence Gelati Georgian Chronicle Georgian Monasteries Giorgi III Giorgi IV Laša Giorgi Laša Hagia Sophia History icon iconography imperial inscriptions interpretation Kartlis Cxovreba KC 2 Cxovreba king kuropalates Macxvariši Maria of Alania Mosaics narthex Natlismcemeli niche nonroyal north transept north wall Op'iza Orbeli Ošk'i patron patronage portraits present Privalova Q'inc'visi Queen Tamar Rat'i robes royal family royal figures royal imagery royal images royal panel rule ruler Rusudan Saint Katherine Saint Nino scenes scheme secular seen shown shows Sopoćani south wall Sumbat surviving Svaneti T'beti Tamar's reign Tbilisi Thierry tion transept Vardzia Virsaladze visual Vivian wall paintings west wall და
Popular passages
Page xix - N. Thierry, Le souverain dans les programmes d'églises en Cappadoce et en Géorgie du X' au XIII' siècle, dans Revue des études géorgiennes et caucasiennes, 4, 1988, p.