Royal Imagery in Medieval Georgia |
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Page xiv
Additionally it has given me travel grants to visit Georgia , as has the British Academy and the British Institute of Ar- chaeology at Ankara , which allowed me to visit monuments on both sides of the Turko - Georgian border .
Additionally it has given me travel grants to visit Georgia , as has the British Academy and the British Institute of Ar- chaeology at Ankara , which allowed me to visit monuments on both sides of the Turko - Georgian border .
Page 4
So far , I have given the im- pression that royal imagery was produced by the rulers it promoted . However , in more than half of the churches to be discussed here there is evidence from secondary donor images that the imagery was ...
So far , I have given the im- pression that royal imagery was produced by the rulers it promoted . However , in more than half of the churches to be discussed here there is evidence from secondary donor images that the imagery was ...
Page 6
... the emperor in Constantinople , who gave him the titles of prince and kuropalates of Kartli respectively in 806. This followed the recognition given by the same powers to his distant relative , Ašot Bagratuni of Armenia , in 806 .
... the emperor in Constantinople , who gave him the titles of prince and kuropalates of Kartli respectively in 806. This followed the recognition given by the same powers to his distant relative , Ašot Bagratuni of Armenia , in 806 .
Page 16
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Page 26
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Common terms and phrases
appear apse argued Ašot At'eni Bagrat Bagrat'ionis Bertubani Betania Byzantine Byzantium century Christ Christian church clearly coins coronation court Cross crown Cxovreba cycle Davit death decoration Demet're depicted designed Detail Djobadze donor dress east emperor eristavs established evidence example father figures followed Gelati Georgian Georgian Chronicle Giorgi given haloes hand History Holy imagery imperial important indicates inscriptions interest interpretation Kartlis king Laša Macxvariši meaning monastery Mosaics Natlismcemeli nature niche north wall noted Ošk'i paintings panel patron patronage Plate political portraits position possible present promote Q'inc'visi Queen Tamar reflect reign relief represented robes royal royal imagery royal panel rule ruler Saint scenes scheme secular seems seen shown shows side similar suggests Tbilisi tion titles transept Vardzia visual Vivian wall wears women და
Popular passages
Page xix - N. Thierry, Le souverain dans les programmes d'églises en Cappadoce et en Géorgie du X' au XIII' siècle, dans Revue des études géorgiennes et caucasiennes, 4, 1988, p.