Royal Imagery in Medieval Georgia |
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Page 1
My approach is to give the surviving visual evidence far greater weight as impor- tant historical evidence of the reigns of the kings and queens it depicts . It demon- strates the self - perception of the monarchy and its court .
My approach is to give the surviving visual evidence far greater weight as impor- tant historical evidence of the reigns of the kings and queens it depicts . It demon- strates the self - perception of the monarchy and its court .
Page 2
By placing much greater weight on visual evidence , this book must examine the relationship between the images and the historical texts and chronicles that describe the reigns of the rulers they depict . Both forms of evidence have ...
By placing much greater weight on visual evidence , this book must examine the relationship between the images and the historical texts and chronicles that describe the reigns of the rulers they depict . Both forms of evidence have ...
Page 5
I take as my main assumption that all secular imagery was intended to enhance the authority of the people it depicted , and I attempt to ascer- tain what visual devices were used to achieve this . Changing historical circumstances were ...
I take as my main assumption that all secular imagery was intended to enhance the authority of the people it depicted , and I attempt to ascer- tain what visual devices were used to achieve this . Changing historical circumstances were ...
Page 9
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Page 15
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Common terms and phrases
appear apse argued Ašot At'eni Bagrat Bagrat'ionis Bertubani Betania Byzantine Byzantium century Christ Christian church clearly coins coronation court Cross crown Cxovreba cycle Davit death decoration Demet're depicted designed Detail Djobadze donor dress east emperor eristavs established evidence example father figures followed Gelati Georgian Georgian Chronicle Giorgi given haloes hand History Holy imagery imperial important indicates inscriptions interest interpretation Kartlis king Laša Macxvariši meaning monastery Mosaics Natlismcemeli nature niche north wall noted Ošk'i paintings panel patron patronage Plate political portraits position possible present promote Q'inc'visi Queen Tamar reflect reign relief represented robes royal royal imagery royal panel rule ruler Saint scenes scheme secular seems seen shown shows side similar suggests Tbilisi tion titles transept Vardzia visual Vivian wall wears women და
Popular passages
Page xix - N. Thierry, Le souverain dans les programmes d'églises en Cappadoce et en Géorgie du X' au XIII' siècle, dans Revue des études géorgiennes et caucasiennes, 4, 1988, p.