Screening Space: The American Science Fiction FilmUngar, 1987 - 345 pages This text attempts to shape definitions of the American science fiction film, studying the connection between the films and social preconceptions. It covers many classic films and discusses their import, seeking to rescue the genre from the neglect of film theorists. The book should appeal to both film buff and fans of science fiction. |
Contents
Preface to the Enlarged Edition | 7 |
The Look of Science Fiction | 64 |
The Sounds | 146 |
Copyright | |
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Common terms and phrases
20th Century Fox abstract aesthetic alien American SF film articulated Baxter become big-budget Blade Runner Brosnan Brothers Buckaroo celebrate characters Close Encounters comic conservative contemporary SF film context created Creature films critics Cultural Logic dialogue difference Douglas Trumbull Earth electronic emotional excess scenography existence experience familiar figure film's Forbidden Planet function future genre genre's George Lucas horror film Human than Human Ibid images Jack Arnold Jameson John language Late Capitalism Liquid Sky literally Logic of Late low-budget mainstream SF marginal SF material Michael mise-en-scène Monster Movie Magic narrative nostalgic popular postmodern present production realism Repo representation represented Review Ridley Scott robots Science Fiction Film Science-Fiction screen sense SF film SF's social Sontag sound Space Odyssey spaceship spatial special effects Stanley Kubrick Star Wars Starman strange Strangelove structure symbolic television temporal thematic things tion traditional transformation Tron Uforia Universal viewer visible visual wonder York