The Power of Film Propaganda: Myth or RealityA&C Black, 2004 M01 1 - 276 pages Explores five case studies in Britain, the USSR, Germany and Italy to determine whether or not propaganda films reached the audiences at which they were targeted, and where they did, whether the films made the impact on those audiences that the propagandists had expected. |
Contents
| 1 | |
| 14 | |
Chapter 2 Film Propaganda in the Soviet Union 19171928 | 43 |
Chapter 3 National Socialist Film Propaganda in Germany 19331945 | 83 |
Chapter 4 Official Film Propaganda in Britain during the Second World War | 136 |
Chapter 5 Italian Neorealist Films | 205 |
Conclusion | 237 |
Further Reading | 243 |
| 249 | |
| 260 | |
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Common terms and phrases
achieved Aldgate Aldgate and Richards anti-Semitic argued attitudes Battle Bolsheviks box-office Britain British cinema British film censorship cent changed cinema audience claim clear commercial constructed contemporary critical culture demonstrated discussion documentary films established Eternal Jew example extent factual films Fascist feature film film production film propaganda Film Unit film's Films Division footage Führer Goebbels Goskino GPO Film Unit Hitler Hollywood huge Ibid ideology images important Italian cinema Jews Listen to Britain London mass audience Mass-Observation medium million Ministry months Moreover narrative National Nazi Nazi Germany neorealism neorealist films newsreels official films particular Party People's played political popular population post-war power of film pre-war programme Pronay propaganda films propagandists public opinion quoted radical reach reality regime released response revolutionary Richard Taylor role Rossellini Russian screen shot situation society Somme Soviet cinema Soviet film Soviet Union strategy studios success Süss target audience traditional victory