Film Semiotics, Metz, and Leone's Trilogy

action ALTERNATE SYNTAGMA analysis Angel Eyes appear approach associated autonomous shots background Baxters begins Black Blondie camera Chapter cinema clearly closeup codes communication Comparison consecutive considered consists continuous conversation developed dialog diegesis differences discussion DISPLACED DIEGETIC INSERT dissolve DOLLARS ends established example explains EXPLANATORY INSERT FISTFUL frame function indicated Indio INSERT inside interior kills language larger Leone linguistics looking Man's meaning Metz Metz's mise-en-scene montage Mortimer movement moving Name narrative noted observed occurs ORDINARY SEQUENCE paradigmatic point of view present Ramon referents relationship represents rides Rojos scene screen seen segment semiology semiotics separate Sequence Number SEQUENCE SHOT setting shoots shown shows signified Silvanito simultaneity single sound spatial story street structure suggest syntagmatic type Table takes temporal theory three films town train trilogy Tuco Tuco's unit unity University visual walks